- What happens when documentary shifts beyond linear-sequential form – when it becomes a collection, a constellation, a model, a navigable space?
- How do current modes of spatial, networked, embodied and affective interaction relate to the traditional forms of documentary interaction – exposition, storytelling, etc.?
- How is the notion of document conceived within contemporary documentary practice? How does the document mediate a relation between the space of events and the space of documentary form/aesthetics?